Clay Play

2025

INTRODUCTION

Clay Play brings together a collection of percussion instruments primarily made from clay, each with its own distinct playing technique. At the heart of the ensemble is the ghumat, a traditional instrument from Goa. To further highlight Goan folk culture, the performance also features other regional percussion instruments such as the samel, ghum, dhol, tasha, and zhanj. Together, they aim to recreate the vibrant soundscape of a Jagor, a traditional Goan procession accompanied by dynamic and rhythmic musical expressions as it moves through villages.

Commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Aneesh Pradhan, Shubha Mudgal

Venue:

The Arena at Nagalli Hills Ground

Date:

12 December 2025

Time:

7 PM

Duration:

120 mins

Artists:

Ghatam Ensemble group: Sukanya Ramgopal, Sumana Chandrashekar, Sachin Deviprasad, and Srinidhi Koundinya

Ghumat Ensemble group led by Kanta Gaude

Raitila Rajasthan: Govind Ram, Aishan Khan, Rasool Khan, Chagnaram, Ghewer Khan, Saddik Khan, Shakur Khan Langa 

Shivangini Yeashu Yuvraj, Upagna Pandya, Shantanu Nandan Herlekar, Srijonee, Jay Prakash Parmar – Vocals

Shridhar Bhat, Purav Jagad – Harmonium

Mehta Dhaivat Divyeshkumar, Abhimanyu Nandan Herlekar – Tabla 

Vighnesh Kamath – Tabla/ Dholak

Siddharth Nityananda Padiyar – Dholak 

Nitin Joshi – Sound Engineer

Harshawardhan Pathak – Light Designer

Nandu Nimbalkar – Artist Manager

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Fading Traditions, Emerging Sounds

2025

INTRODUCTION

Fading Traditions, Emerging Sounds is a contemporary musical experience that seamlessly blends the rich heritage of Indian classical music with the expressive energy of modern sounds. Showcasing collaborations between revered maestros and innovative musicians, the project creates a powerful dialogue between tradition and modernity. By reinterpreting classical forms through a fresh, contemporary lens, it crafts a soundscape that is both deeply rooted and boldly forward-looking. Intricate rhythms and soulful vocals lend emotional depth, while inventive arrangements push the boundaries of familiar musical expressions. Each performance becomes a celebration of continuity and transformation, honoring the timeless essence of classical traditions while embracing the evolving language of global music. This fusion is not just a stylistic experiment, but a meaningful exploration of cultural memory and artistic innovation.

Fading Traditions, Emerging Sounds invites audiences on a journey where the echoes of the past resonate with the creative spirit of the present.

Commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Bickram Ghosh

Venue:

The Arena at Nagalli Hills Ground

Date:

14 December 2025

Time:

7 PM

Duration:

180 mins

Artists:

Pt. Vishwa Mohan Bhatt – Mohan Veena

Murad Ali – Sarangi

Ashwini Shankar – Shehnai

BC Manjunath – Mridangam

Kalyanjit Das – Surbahar/Sitar

Anubrata Chatterjee – Tabla

Anay Gadgil – Keyboard

Mahesh Raghavan – Geoshred

Pranav Dath – Drums

Tanmay Deochake – Harmonium

Pratika Evangeline Prabhune – Rap

Pavithra Chari – Hindustani Vocal

Anupam Shobhakar – Double Neck Guitar

Nitin Joshi – Sound Engineer

Harshavardhan Pathak – Light Designer

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Dard-e-Disco

2025

INTRODUCTION

Dard-e-Disco is a nostalgic musical journey that pays tribute to the golden age of Bollywood disco — an era where timeless melodies met the pulsating energy of the dance floor. Honoring the iconic works of visionaries like Bappi Lahiri, Kalyanji-Anandji, and Biddu, the concert celebrates their groundbreaking compositions in all their glory, infused with an avant-garde twist. Focusing on the era’s unforgettable anthems, the performance revives the glamour, rhythm, and spirit that defined a generation. With powerful vocals, vibrant arrangements, and bold stagecraft, Dard-e-Disco creates an immersive experience that bridges eras. It’s a celebration of music that transcended borders and genres, where Bollywood’s melodic richness merged seamlessly with the global sound of disco. This evocative tribute invites audiences to relive the magic of a dazzling time, wrapped in a soundscape that feels both timeless and thrillingly alive.

Commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Bickram Ghosh

Venue:

The Arena at Nagalli Hills Ground

Date:

17 December 2025

Time:

7 PM

Duration:

120 mins

Artists:

Vijay Benedict, Shaan, Iman Chakrabarty, Anjana Padmanabhan – Vocals 

Keenda Mary Dsouza, Suman Sherpali, Nagima Shaikh, Roshan Sunar – Dancers

 

The 5th Note Band

Anupam Deghatak – Congas

Samit Pednekar – Indian Congo & Percussions

Sachin Sawant – Tabla, Dholak

Vinod Deure – Octapads

Chirag Panchal – Keyboards

Kiran Gaikwad – Keyboards

Sachin Tawde – Keyboards

Suresh Iyer – Bass Guitar

Nagesh Koli – Saxophone

 

Rhythm Shaw – Electric Guitar 

Arun Kumar – Drums

Navdhara India Dance Theatre – Dancer

Nitin Joshi – Sound Engineer

Harshawardhan Pathak – Light Designer

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

The Gold Standard

2025

INTRODUCTION

A Celebration of Jazz

From smoky ballads and powerful blues to smooth standards and bold improvisations, The Gold Standard promises a musical journey that is both nostalgic and thrillingly alive.

Gary Lawyer, often hailed as the “man with the golden voice,” takes the stage with his signature baritone and classic charm. Sharing the spotlight are the electrifying Vasundhara Vee, whose fierce artistry and deep love for jazz make her one of the most exciting voices in the Indian music landscape today, and the supremely talented Aria Nanji, whose soulful interpretations and effortless range add a fresh and captivating dimension to the evening.Backed by a band of stellar musicians, the concert pays homage to the legacy of jazz while offering fresh interpretations and  a contemporary edge. 

Commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Zubin Balaporia, Ehsaan Noorani

Venue:

The Arena at Nagalli Hills Ground

Date:

18 December 2025

Time:

7 PM

Duration:

180 mins

Artists:

Gary Lawyer, Vasundhara Vee – Vocals

Aria Nanji- Vocals & Acoustic Guitar

Zubin Balaporia- Keyboards

Gino Banks- Drums

Sheldon D’Silva- Bass

Subharaj Ghosh- Guitar

Mark Hartsuch- Saxophone

Jarryd Rodrigues- Saxophone

Enrico Rodrigues- Saxophone

Nastya Saraswati- Violin

Dielle Braganza- Viola

Vian Pereira- Cello

Rajiv Kenkre – Sound engineer

Ground Control- Lighting Design

Sameer Patwardhan – Sound and Music Production Manager

Jayprakash Gupta – Assistant and Rehearsal Coordinator

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Circle of Stories

2025

INTRODUCTION

Curated as part of ‘Scores in Transit: Resonances of the Plural’

On three panels that form an open square room, mini performances unfold on streets, balconies, and in doors and windows. Circle of Stories is a collaboration between an artist and theatre performers. Sunil Mehra along with Pallav Mishra, Enab Khizra and Mohammed Aqib chose short texts and poems to be woven into a tapestry of diverse performances performed within the Dastangoi tradition while theatre activist Lokesh Jain wrote (and also performed in) brief scenarios for Chavi Jain, Paridhi, Pakhi Jain, Shahana, Aara, Arun Kumar Kalra, Monty, Rizwan, Aurengzeb, Poonam, Rekha and Vikram.

In this multi-sensory installation Kaleka’s longstanding repertoire of immersive, timebased media environments comes into conversation with different traditions of theatre and storytelling. It layers poetry, dialogue, and narrative fragments onto architectural facades animated with characters who appear, reappear, and dissolve across windows, doors, and thresholds, inviting us into their stories. The city of Delhi is a key protagonist across this unfolding theatre, evoking the fluid, morphing presence of the storyteller across time and place. Here two forms of telling—contemporary street theatre in conversation with a storytelling tradition imported from the Persian courts by the Mughals and revived in 2005 by the legendary litterateur Shamsher Rahman Farooqi and his nephew Mehmood Farooqui. Using carefully choreographed projections and spatial design, it crafts an affective, atmospheric environment, weaving multiple encounters between architecture, memory, and language. The project continues Kaleka’s investigation into spatiality and interactivity in contemporary art, while anchoring itself in the timeless act of storytelling—of listening, imagining, and remembering. 

Special thanks to Sunil Mehra and Lokesh Jain who performed as well as worked on the scripts. Thanks to Subodh ji for assisting in the shooting at Mithai-Pul Basti.

Commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Vidya Shivadas

Venue:

Ground Floor, GMC Building, The Old GMC Complex

Date:

14 – 21 December 2025

Time:

11:00 am – 7:00 pm

Artists:

Ranbir Kaleka in collaboration with Sunil Mehra and Lokesh Jain

Technical Support:

Raj Mohanty

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

A Breath Held Long

2025

INTRODUCTION

A Breath Held Long is a 20–25-minute video by Sudarshan Shetty that merges documentary filmmaking with theatre and music. Set within the charged, ever-shifting landscape of Mumbai, the film captures the tempo of the city through a series of long, single-line narratives performed by six to seven professional actors and a singer. Each voice adds to a growing chorus that meditates on the act of breathing – both as a basic human necessity and as a metaphor for survival, resilience, and the passage of time.

Accompanying the video are a series of sculptural objects by Shetty that extend the film’s thematic concerns into physical form. These objects, characteristic of Shetty’s sculptural language, serve as silent counterpoints to the spoken word. 

Together, the video and sculptures form an installation that asks — what it means to live and breathe — in a restless city.

Originally commissioned by Serendipity Arts for the Serendipity Arts Festival 2025 and produced by Apostrophe 99

Curated by:

Sudarshan Shetty

Venue:

First floor, Directorate of Accounts

Date:

14 – 21 Dec

Time:

11:00am – 7:00pm

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Razai

2025

INTRODUCTION

Set within a historic Goan building, Razai is a multidisciplinary performance that fuses AI-generated music, projection-mapped visuals, and contemporary dance into a sensory and living tapestry. Drawing from both European and Indian sonic traditions, this avant-garde piece traces the intimate journey of a couple on the margins of an ever-shifting city — navigating nostalgia, displacement, desire, and dreams. 

Created through a collaboration between artists from India, Italy, and Japan, it’s a performative intervention where architecture, technology, and human presence coalesce into one evolving sensorial journey — blurring the lines between art and life, remembered, lived and imagined.

During and beyond show hours, the venue transforms into an interactive installation, where audiences move from observers to participants, engaging with responsive environments shaped by cutting-edge AI and sensory technologies.

Commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Jayachandran Palazhy

Venue:

First Floor, GMC Building, The Old GMC Complex

Date:

14-21 December 2025

Time:

1-1:45PM and  5-5:45PM

In collaboration with Istituto Italiano di Cultura di Mumbai (IIC) and Japan Foundation. Produced by Serendipity Arts Festival and Attakkalari Centre for Movement Arts.

Curation & Concept:

Jayachandran Palazhy

Technical Direction & Scenography:

Gaurav Singh Nijjer

Interactive Movement Systems Design:

Kunihiko Matsuo

AI music Composition and Interactive Soundscapes:

Lorenzo Brusci, Andrea Marinelli, Musi-Co AI ecosystem

Music consultant:

M D Pallavi

Curatorial Assistant:

Neiha Jaiswar

Dancers:

Henna Raisinghani, Seher Noor Mehra, Chetan Kumar Yeragera and Pathum Dharmarathna

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Folios of Time 2.0

2025

INTRODUCTION

Responding to the evolving socio-political landscape, this year’s residency invites choreographers to propose works-in-progress that embody the pulse of our times — responding through movement to themes such as climate crisis, war, division, migration, displacement, gender dynamics, and existential shifts. Guided by two renowned choreographers from India and the UK, the participants shape their raw ideas into fully realized performances within a safe, collaborative environment. Each work becomes a living folio: a page drawn from lived experience, collective memory, and imagined futures, expressed somatically.

Folios of Time 2.0 offers a vital platform for bold, contemporary voices and fresh expressions from the body of young India.

Folios of Time 2.0 is commissioned by Serendipity Arts for Serendipity Arts Festival 2025

Curated by:

Jayachandran Palazhy

Venue:

The Theatre, The Old GMC Complex

Date:

17 December 2025

Time:

12:00 PM – 1:45 PM & 4:00 PM – 5:45 PM

Duration:

100 mins

Mentors:

Ashley Lobo, Dickson Mbi

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Duty Free

2025

INTRODUCTION

A medical college. The human body. You might expect examination, diagnosis and treatment, but Duty Free serves up movement encounters and sensorial discoveries. Rather like its namesake at the airport, it sets itself up as a space of wonder and curiosity. Over eight days, three dance artists take turns inhabiting a riverfront verandah in the Old Goa Medical College building, making it both studio and stage.

Duty Free is open through the day, functioning as an exhibition space and embodied archive, interspersing the behind-the-scenes labour of dance – improvisation, repetition, failure – with performances and workshops at scheduled intervals. Its artists set up interactions that are tactile, embodied, textual and aural, offering movement prompts and traces of their practice for you to engage with.

On the other side of the street, offshore casinos floating in the Mandovi river toe the ambiguous line between land and water. Think of Duty Free then as ‘shore leave’ – an interval filled with excitement, liberty and play. Here, dance offers a space outside of duty – beyond the logics of obligation, efficiency and outcome. As you pass through it, you might indulge in something new – seeing, hearing, sensing or moving as you’ve never done before.

Duty Free was commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Ranjana Dave

Venue:

First Floor, Old GMC Building, Old GMC Complex

Date:

14-21 December, 2025 (installation is open for all days of the festival)

Time:

11.00am – 7.00pm (timings for the installation)

Performers:

Jasmine Yadav, Joshua Sailo, Bboy Ben

Scenographer:

Sukanya Ghosh

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Puppet Folk Arts Lab

2025

INTRODUCTION

Puppetry is one of the oldest art forms in India, with a 3000 year old history and twenty-three living forms in existence currently, practiced by generational puppeteers across India. Modern puppetry is however a few decades old in India where the practice has been carried by a few individuals and companies. 

Serendipity Arts launched Puppet Folk Arts Lab to mentor and facilitate new work by traditional puppeteers from across India. Contemporary versions of traditional forms of puppetry will be performed at the festival. 

The performances are commissioned by Serendipity Arts for Serendipity Arts Festival 2025.

Curated by:

Sankar Venkateswaran

Date:

17th and 18th December

Time:

7:00 – 7:30pm

8:00 – 8.30pm

Venue:

The Quad, Kala Academy

Duration

30 mins

Language:

Multiple

Commissioned by Serendipity Arts Foundation for Serendipity Arts Festival 2025

Credits

Mentor and facilitator:

Anurupa Roy

Mentor:

Ranjana Pandey

Tech Mentor:

Bharavi

Facilitator:

Dadi Pudumjee, Madhur Padwal, V Aarti, Asha, Clement Peretjatko

Knowledge Partner and Admin Support:

UNIMA Puppeteers Trust

In collaboration with Woodstock School and French Institute, India.