2017

CURATOR

Riyas Komu is the co-founder and secretary of the Kochi Biennale Foundation (KBF), and a multi-media artist and activist working towards encouraging art education and developing art infrastructure in India. His critically acclaimed political works have been exhibited extensively in India and abroad, which include several key works that focus specially on the political and cultural history of Kerala. Riyas, who shuttles between Kerala and Mumbai, was one of two artists from India to be selected by curator Robert Storr for the 52nd Venice Biennale in 2007 and he represented the Iranian Pavilion at Venice Biennale in 2015.

Having his roots in Kerala, football seems to run in Riyas’s veins as he went on to create significant projects focusing on the game, including Mark Him First Half & Second Half, and Left Legs with the Iraqi National Football Team (2008/2010), Subrato to César 2010, reflecting on the current issues of Indian Football at Gallery Maskara, Mumbai, and Beyond Gods, retrieving the multiculturalism of French football at Centre Pompidou, Paris, as part of their “Paris-Delhi-Bombay” exhibition. In addition to these projects, he co-curated the first ever International football film festival in India at the Goa International Film Festival and Trivandrum International Film festivals in 2012.

Being at the helm of KBF he has initiated the Children’s Biennale, Students Biennale and Artists Cinema as part of the Kochi-Muziris Biennale. He is currently working as a director of programmes for the Foundation and also develops projects focusing on Art Education in India.

“The curator stepped down from their role on October 2018 due to prevailing circumstances”

2017

CURATOR

Annapurna Garimella is a Delhi-based designer and an art historian. Her research focuses on late medieval Indic architecture and the history and practices of vernacular art forms in India after Independence. She heads Jackfruit Research and Design, an organization with a specialized portfolio of design, research and curatorial. She is also the Founding and Managing Trustee of Art, Resources and Teaching Trust, a not-for-profit organization that runs a public art library, conducts independent research projects and does teaching and advisement for college and university students and the general public. Her most recent curatorial projects include Vernacular, in the Contemporary (Devi Art Foundation, New Delhi) and Faith: Manu Parekh in Benaras 1980-2012 (Art Alive, New Delhi) and Drawing 2014 (Gallery Espace, New Delhi). Her most recent book is about a collaboration between a Rajasthani miniature painter and expatriate American photographer and is titled The Artful Life of R. Vijay (Serindia, 2016).

2017

CURATOR

Prashant Panjiar is a photojournalist and a self-taught photographer who works independently focusing on reportage, editorial and documentary photography. A photo editor and curator, Prashant has served on the jury of the World Press Photo Awards, the China International Press Photo Competition, Indian Express Press Photo Awards and the National Foundation of India’s annual photography fellowship.

He has worked with the Patriot Newspaper, India Today and the Outlook Group of Publications until 2001 after which he has been working independently. Being the co-founder of the Delhi Photo Festival, Prashant has curated all the three editions of the festival, the latest in November 2015. In the same year he conceived and curated the first edition of Sensorium, a festival of arts, literature and ideas for Sunaparanta, the Goa Centre of Arts. Prashant takes an active interest in advising and guiding younger photographers through Nazar Foundation, which he co-founded.

2017

CURATOR

Manjari Nirula has been instrumental in reviving languishing crafts, the marketing of craft products and the participation of craft-persons in regional and international fairs. The vice-president of World Crafts Council Asia-Pacific Region and the Crafts Council of India, and member of the Indian government’s committee for the selection of master craft persons, Manjari has been coordinating the UNESCO Award of Excellence Programme for South Asia since 2004. She is a member of the Commitment to Kashmir (CtoK) panel that examines business plans of young Kashmiri craftsmen and women to allocate interest-free loans to them in order to begin a small-scale business. The panel also conducts workshops, field visits, and individual mentoring for selected applicants.

2017

CURATOR

Dinesh Khanna is the co-founder of the Delhi Photo Festival. The last 25 years have seen him involved in creating images for advertising, editorial, and corporate clients, in the area of food, still-life, people, and interiors.

His solo exhibitions include In My Own World shown in Delhi, Mumbai, Kolkata, Bangalore, and Varanasi, Living Faith exhibited in Delhi, Kolkata, New York, and San Francisco, Colours – an Indian Language shown at the World Economic Forum, Davos, Switzerland. He has published three books: Bazaar, Living Faith, and Right of the Line – The President’s Bodyguard, which was commissioned by the Rashtrapati Bhavan and Sahapedia.

2017

CURATOR

Ranjit Hoskote is a poet, cultural theorist, and curator. He has been pivotal to shaping contemporary art discourse in India, and in registering multiple cultural issues, artistic domains, and moments of history.

In his role as an art critic, Ranjit has authored a critical biography as well as a major retrospective study of the painter Jehangir Sabavala, and also monographs on the artists Atul Dodiya, Tyeb Mehta, Bharti Kher, and Iranna GR. Ranjit was co-curator of Former West: Documents, Constellations, Prospects, Berlin, 2013.

His other curated projects include, The Needle on the Gauge, Contemporary Art Centre of South Australia, Parkside, 2012; Everyone Agrees: It’s About to Explode, Indian Pavillion, 54th Venice Biennale, Venice, 2011.

2017

CURATOR

Anuradha Kapur was at the helm of the National School of Drama in Delhi  for six years and she was instrumental in putting together the foundation for NSD Bangalore. She now focuses on the one thing that drives her the most – directing plays. She is the author of Actors, Pilgrims, Kings and Gods: The Ramlila of Ramnagar.

Most of Anuradha’s directorial work has been in collaboration with visual and video artists and filmmakers, including Arpita Singh, Bhupen Khakhar, Ein Lall, Madhusree Dutta, Nalini Malani, Nilima Sheikh, Sumant Jayakrishnan, and Vivan Sundaram.

She is one of the founder members of Vivadi, a working group of painters, musicians, writers and theatre practitioners, formed in 1989. Her theatre work has travelled to countries including Germany, Japan, Brazil, UK, and Korea.

In 2004, Anuradha was awarded the Sangeet Natak Award for Direction in the Theatre.

Among her acclaimed productions are Rabindranath Tagore’s Ghar aur BaharUmraoRomeo and JulietThe JobSundari: an Actor Prepares, a play based on the life of Jaishankar Sundari, Henrik Ibsen’s The Wild Duck in collaboration with Ein Lall; a Hindi version of JB Priestley’s An Inspector Calls and many others.