Curated by Arundhati Nag

‘Boy with a Suitcase’ is Ranga Shankara’s flagship production—a unique Indo-German collaboration that brings together people of different nationalities to make a play that relates to all of us. A play written by Mike Kenny about migration and the idea of home, it was topical when it was written several years ago and is still relevant today. It has been directed by Andrea Gronemeyer, one of Europe’s top directors of theatre for the young.

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Shelter is a monumental participatory installation created by assembling cardboard modules of identical shape and size, by interlocking, without using tape or glue. Shelter is an interactive proposal for an audience that is in transit and is diverted from its primary purpose to participate in the making of the installation.

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Curated by Arundhati Nag

The central idea behind the two-hour play is the question—what does one love in someone? Do we love their mind, or their heart? Here, the heart is representative of the body and the tangible, while the head represents the intangible—wisdom, poetry. ‘Hayavadana’ was scripted by Dr. Girish Karnad who has rendered rich literature, and directed by the theatre legend B.V. Karanth with lilting music.

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Curated by Atul Kumar

[1] “Where the tune is familiar and the end emphatic – lovers united, villains discomfited, intrigues exposed – as it is in most Victorian fiction, we can scarcely go wrong, but where the tune is unfamiliar and the end a note of interrogation or merely the information that they went on talking, as it is in Tchekov, we need a very daring and alert sense of literature to make us hear the tune, and in particular those last notes which complete the harmony.” (Virginia Woolf)

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Curated by Serendipity Arts Foundation

The participants registered must assemble at Panjim Inn, Fontainhas 15th to 20th December, 4:00pm and at 91Springboard on 21st and 22nd December, 4:00pm’
Registrations for a particular day close on the previous day at 5:00pm. Walk in participants are welcome, on a first come – first serve basis.

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Curated by Atul Kumar

Space and listening are fundamental starting points of our work as actors and theatre makers. We all arrive with our unique experiences and backgrounds into the shared space of a creative process and gradually learn how to hear each other.

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Curated by Neemrana Music Foundation

George Bernard Shaw once wrote: ‘Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone.’

It’s nice to see opera brought down to its ‘Bollywoodish’ kind of appeal, as many have feared that opera is only for the elite and that they might not understand it. But what exactly is opera, and does one need to be overweight to be able to produce a loud voice without the help of microphones? Join the interactive ‘Discover Your Opera Voice’ workshop and discover how to use your own body as a musical instrument.

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Curated by Mayuri Upadhya

Please NoteThis performance can accommodate a limited audience of upto 15 viewers. Audience will be admitted on a first-come first-serve basis. Please ensure you arrive in advance to secure your attendance at the performance.

Once upon a time… is a dance statement on the power of imagination.

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Curated by Aneesh Pradhan

Bandish antaakshari, a performance-based game, portrays compositions (bandish) from the Hindustani art music tradition through antaakshari, an engaging recreational pastime that revolves round popular music from films. It seeks to make traditional repertoire accessible to uninitiated audiences without diluting the former.

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Curated by Sneha Khanwalkar

‘Sound Interventions’ is a curation of four projects by Sneha Khanwalkar: Bass Holograms; The Long and Short of It; StepPer; and Winds of Change.

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