Curated By Quasar Thakore Padamsee

Ee Gida, Aa Mara translates from Kannada to This Plant, That Tree. The play magnifies the micro environments they house through movement, visuals and sound. The play aims to create an experience for toddlers even before speech has emerged in their life. Creating a world of seeds, leaves and gentle sounds, the play tries to help an infant in collecting experiences that may help it make sense of the world around.

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Curated By Quasar Thakore Padamsee

‘Desdemona Roopakam’ is a play that looks at the narratives of missing women in epics and is sung entirely like a Chamber Opera using Carnatic, Hindustani and Folk music.

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Curated By Quasar Thakore Padamsee

Based on Ernest Hemingway’s novella, this is the story of an epic struggle between an old, seasoned fisherman and the greatest catch of his life. For 84 days he has returned home empty-handed. On the 85th day he sets out far beyond into the sea and drops his lines. At noon, a big fish, which he calls Mari, takes the bait but the old man cannot pull it out. Instead, the fish begins to pull the boat. For five days the old man struggles with the fish, with sharks and with the sea, to survive and get back home.

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Curated By Quasar Thakore Padamsee

While playing one day, Chippi, a baby lizard, is shooed away. People think she is scary and ugly. In shock, Chippi loses her tail. Everyone starts calling her names, as she is tailless now. She feels sorry for herself and cries in a dark corner. Chippi knows she has to get a tail. So what will she do to get her tail back? Will Chippi be beautiful again?

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Curated By Quasar Thakore Padamsee

From childhood to old age, a human life goes through various stages, physically and emotionally. A child becoming an old person or an old person becoming a child, thus completing the circle of life, is a miracle as each stage of life has its own unique gift to give to humanity.

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Curated By Quasar Thakore Padamsee

Three intriguing stories some together seamlessly to talk about strength and hope and how life without hope is impossible to sustain. Out of these three narratives, two are from young contemporary Rajasthani writers Arvind Charan and Chirag Khandelwal, while the story which lays foundation for the performance is written by renowned Rajasthani writer Vijaydan Detha.

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Curated By Quasar Thakore Padamsee

‘Nava’ tells the stories of 9 urban trans women through the 9 rasas (Navarasa). In this performance, the 9 trans women, who have never been on stage before, bring their bodies, voices and stories, deliberately silenced and willfully ignored to reclaim their rightful place – the centrestage.

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Curated By Quasar Thakore Padamsee

‘Jo Dooba So Paar’ throws light on the person that Ameer Khusrau was, his relationship with his Guru Nizamuddin Auliya and the advent of Qawwali through them. The interesting anecdotes and tales woven in a Dastaan accompanied with live Qawwali singing give insight about the essence of Sufism and the importance of the eternally relevant message of love among humankind.

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Curated By Quasar Thakore Padamsee

“I just lit up. I did not burn”

In a remote Tibetan village, Deshar, a young runaway has disowned her father Tsering and become a Buddhist nun. In Lhasa, Chinese Commander Deng is working for the future of the country, unable to meet the needs of his wife and daughter.

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Curated By Quasar Thakore Padamsee

An original script based on real-life testimonies and poems from the workers at the ILVA steel plant in Taranto. ‘Made in Ilva’ is a masterpiece of physical theatre, exploring the impact of the biggest steelworks of Europe on the environment and surrounding population. The performance is a perfect combination of extreme physical actions, sounds that become obsessive rhythms, original music, vocals and video projections. An emotional and poetic exploration of the alienation and oppression of a human body reduced to an artificial machine.

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