Sheba Chhachhi’s lens- based works investigate contemporary questions about gender, the body, the city, cultural memory and eco-philosophy, through intimate, sensorial encounters.
Latika Gupta is an art historian and curator based in Delhi. She was associate editor at MARG Publications from 2016-2020, and is currently part of the editorial collective of ‘100 Histories of 100 Worlds in 1 Object’, and an associate editor at South Asian Studies. She has been co-mentor for the Curatorial Intensive South Asia programme (Khoj & Goethe-Institut/MMB) from 2019-2025.
Veeranganakumari Solanki is a curator and writer based in Mumbai, India. Her curatorial practice explores how various creative practices merge to create dialogues in public and private spaces. Her work examines the way historical and contemporary thought informs exhibition-making and expands ideas through narration and storytelling.
A curator and arts educator based in New Delhi, Vidya Shivadas is the Director of FICA and has curated widely at institutions including Vadehra Art Gallery, Devi Art Foundation, Kiran Nadar Museum of Art, and Serendipity Arts Festival.
Subodh Gupta’s sculpture incorporates everyday objects ubiquitous throughout India- steel tiffin boxes, thalis, bicycles, milk pails.
Riyas Komu is the co-founder and secretary of the Kochi Biennale Foundation (KBF), and a multi-media artist and activist working towards encouraging art education and developing art infrastructure in India.
Ranjit Hoskote is a poet, cultural theorist, and curator. He has been pivotal to shaping contemporary art discourse in India, and in registering multiple cultural issues, artistic domains, and moments of history.
Sudarshan Shetty is one of India’s leading contemporary artists, known for his conceptual and often large-scale sculptural installations. Based in Mumbai, his work explores themes of transience, memory, and the poetics of everyday objects.
Jyotindra Jain, curator for Visual Arts in the 2019 edition of Serendipity Arts Festival, curated "Image Journeys: The Conquest of World as Picture" an exhibition focusing on a critical viewing of popular Indian imagery at the turn of the twentieth century in the construction of its social and national identities.
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