Curated by Atul Kumar
[1] “Where the tune is familiar and the end emphatic – lovers united, villains discomfited, intrigues exposed – as it is in most Victorian fiction, we can scarcely go wrong, but where the tune is unfamiliar and the end a note of interrogation or merely the information that they went on talking, as it is in Tchekov, we need a very daring and alert sense of literature to make us hear the tune, and in particular those last notes which complete the harmony.” (Virginia Woolf)
SIGN IN WITH GOOGLE
