Curated by Nancy Adajania
The history of postcolonial Indian art is usually told from within the confines of the art world, as a sequence of long-lived styles and short-lived movements, avant-garde aspirations and institutional trends, artist groups and art schools. In the present exhibition, Nancy Adajania will demonstrate the rich, living heritage of art-making in postcolonial India that had little or nothing to do with this dominant narrative.
Curated by Sudarshan Shetty
This project aims to present indigenous inventions and informal industries that have origins in catering to real life circumstantial needs with lasting social impact on communities at large.
Curated by Dr. Jyotindra Jain
The exhibition offers a critical viewing of popular Indian imagery at the turn of the twentieth century in the construction of its social and national identities. This includes approximately 200 images and objects, including nineteenth and twentieth-century engravings, chromolithographs, oleographs, photographs, calendars, trade and product labels, postcards, film posters, textiles and porcelain figures.
Special Project Curator: Harkat Studios
It happened about a decade ago, ‘film’ as a medium was discarded by the film industry, almost overnight. Decades worth of knowledge, equipment and processes were put aside and the craft of ‘making’ a film was sealed shut in boxes, forgotten in storage. The digital age brought on the beautiful democratisation of the moving image, but there was one casualty: its medium.
Curated by Siddhant Shah, Access For ALL
Experience a blissful day of spiritual connection, rebalancing and self-integration with this art workshop focused on the practice and philosophy of Mandalas.
Curated by Siddhant Shah, Access For ALL
An art workshop designed to provide positive distraction from anxieties.
Curated by Siddhant Shah, Access For ALL
Access for ALL will develop a series of accessible walkthroughs of select exhibitions on display at Serendipity Arts Festival. The walkthroughs will feature specially designed activity worksheets for student participants from Sanjay School, Umang School and National Association for the Blind (NAB).
Curated by Bookworm Trust Library; Liz Kemp; Rhea D’Souza
Nhoi workshops co-supported by the Directorate of Art and Culture & Goa State Central Library.
The Nhoi: Goa River Draw project is India’s largest single collaborative drawing and its 80.6 metres of vibrant imagery is a magnum opus of the imagination and a true celebration of the innate and thriving creativity of people everywhere.
Curated by Siddhant Shah, Access for ALL
SENSES is India’s first ever ‘accessible and inclusive outreach program’ curated for persons with special needs, for a multidisciplinary arts festival. The fourth edition – SENSES 4.0 is pushing the brackets further by not only acknowledging disability access for varied visitors but also using the Festival as a catalyst to talk about Mental Health and introducing Arts Based Therapy workshop as part of the outreach.
Curated by Harkat Studios
The practice of using found objects to create a work of art finds its origins in dadaist art movements of the 20th century and was perfected by Marcel Duchamp with his ready-mades. Avant-garde filmmakers adopted the practice using found film footage. The process of assemblage became a means for filmmakers to critique the spirit of their time.
SIGN IN WITH GOOGLE
