Festival Archives

Project By Siddhant Shah

A session that will work on activating various moods with colour and music. The outcome will be a 4-fold Mandala!

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Project By Siddhant Shah

A first of its kind workshop at SAF, this is a silent workshop where participants will be invited to do nothing. It’s a period of pause, encouraging introspection, with the aim to normalise rest in our fast-paced lives.

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Project By Siddhant Shah

Using Microsoft Surface pro devices with innovation in design, and inbuilt features, this workshop attempts to ensure that children with special needs can bring their creativity and enthusiasm to the forefront and indulge in art creation.

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Project By Siddhant Shah

This interactive group workshop draws inspiration from the concept of Exquisite Corpse where participants take turns by drawing sections of a form on a sheet of paper, folded to hide each individual contribution. But instead of a body, the participants will create the work using the basic elements of art.

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Project By Siddhant Shah

Making a cityscape from scrap, with visually impaired groups, based on their understanding of the city.

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Project By Siddhant Shah

Based on the India by Book exhibition, this workshop will invite participants to create a non verbal story book using ink doodles and  paint blob characters.  A demonstration will be given by a Sign Language instructor.

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The Vanishing Point: Moving Images After Video (Edited by Rashmi Devi Sawhney; Volume 3 in the India Since the 90s series) tracks the fugitive afterlife of the moving image in its fragmented post-celluloid forms. At once everywhere and nowhere, rapidly circulating moving images have become archives of public memory, degraded repositories of what was cinema, surveillance tools and instruments of governance. Rashmi Sawhney will be in conversation with Ashish Rajadhyaksha, General Editor of India Since the 90s, a series of six titles exploring recent history from the standpoint of the present moment.

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Project By Shyamant Behal

Over the course of history, Goa’s contribution to the creative landscape of India has not been insignificant. As one the few Latin colonies in the country, its particular aesthetic has influenced musical traditions of varied origins: the Portuguese Fado, classical Indian, American jazz, and Bollywood of the 1950s and’60s – its East meets West sensibility best illustrated in the Mandos and Dulpods of the state’s Catholic community.  

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Project By Lukas Birk

A camera obscura usually refers to a room or box with a very small hole that allows light to enter into the room or box. The light projects on the surface inside and reproduced what is going on outside (upside-down). A camera obscura in a room is a wonderful experiential installation, allowing visitors to understand the very basic principles of photography. The installation will allow viewers to experience a camera obscura up close.

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Project By Harkat Studio

Imagine a woman sleeping in the grass – comfortable, at leisure, not stared at – a dream. Covers of shade, a bench amidst concrete and (a semblance of) safety, sometimes make public spaces feel inclusive. They feel like yours, to take up and look at. But in a social climate where unspoken hostilities become public norms, several communities aren’t free to occupy space in the same way. Design, proportion, gender, patriarchy, caste and class are all things to look at, to measure, to discern.

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