B-Side | Music Production Residency
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Key information
Dates: 16th to 26th October 2024
Venue: Goa
Facilitated by Zequenx
Intake: 8
Deadline:15th September 2024
About
B-side is an initiative by Serendipity Arts centred around independent music and cultural currents stemming from contemporary music practices. The programme strives to spark conversations around music production, DJ-ing, research, performances, educational modules, and collaborative sonic explorations focussed on emerging acts across South Asia.
Unlock Your Sound is a 10-day immersive residency designed to empower aspiring music producers by equipping them with innovative music-making techniques and creative expression. Participants will gain a comprehensive understanding of Ableton Live 12, starting with hands-on tutorials that cover software tools, features, and basic setup procedures. They will learn to create tracks from scratch, exploring beat-making, melody crafting, and sound design. The residency delves into composition and arrangement techniques, effective recording practices, and the essentials of mixing and mastering to produce polished final tracks. Workshops on music distribution, promotional strategies, and online presence will prepare participants to release and present their music effectively. Engaging with the electronic music community, participants will explore industry trends and networking opportunities. The program culminates with the participants presenting their work and reflecting on their learning experience.
RESIDENCY FACILITATOR
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Zequenx (Zainab Wani)
In a world defined by stark dichotomies, Zequenx is the embodiment of the grey area, striving to integrate non-duality into electronic music. Born in Kashmir, raised in Chiang Mai, and now based in Goa, Zainab Wani draws from her diverse cultural background to offer a distinct perspective on the art of rave. Having deep roots in psychedelic and pop culture, her music draws from, and combines various schools of thought. This makes it difficult to define , forever existing in the quantum realm of infinite possibilities.
She wears many hats – DJ, music producer, Ableton Certified Trainer – but above all, she is a passionate raver. Whether she’s dishing out dancefloor heaters through her DJ sets or weaving her personal blend of emotive ambient productions with her live sets, Zequenx has one goal: to create a journey that allows the listener to step outside of the mundane musings of their mind and and traverse through uncharted sonic dimensions. Whether it’s acid, electro, various forms of techno or experimental music, she dives in head first to deliver an immersive experience for her fellow listeners.
As an Ableton Certified Trainer, Zequenx has spent the past 6 years mastering the intricacies of music production and is passionate about sharing her knowledge with like-minded individuals. She has organised numerous workshops focusing on DJing and music production as a means to provide access and create space for FLINTA artists along with offering one-on-one training sessions for aspiring musicians. Her singles have been released on homegrown labels like Qilla Records, Antariksh Records, Boxout.fm Recordings, Digital Diaspora Records, FOL Records and international imprints like Avoidant Records (a sub-label of SOMA records) and Reel Long Overdub from the UK. Zequennx has performed at festivals like DGTL in Amsterdam, Celtronic in UK, Magnetic Fields Festival, VH1 Supersonic, Boxout Weekender, Hilltop Festival & Far Out Left in India.
MODULES
- Introduction to Ableton Live
- Fundamentals of the Physics of Sound
- Basic Concepts and Navigation in Ableton Live
- Analog Mixer Workflow
- Using MIDI and Instruments
- MIDI Effects and Music Theory
- Using Audio Samples and Audio Effects
- Applying Effects and Sound Design Techniques
- Creating Rhythms and using Drum Racks
- Advanced MIDI Techniques
- Arrangement and Structure
- Automation and Advanced Arrangement Techniques
- The Fundamentals of Mixing
- Mastering and Finalization
- One-on -One and Peer Reviews & Feedback
FAQs
- Is there an age eligibility for the residency?
Yes, applicants must be 18 years or above. - What are the dates for the residency?
The residency will be held between 16th October to 26th October 2024. - Do I have to be a Musician/Producer to apply for the residency?
No, the residency is open to individuals of all skill levels, including beginners with no background in music production. - Are there any prerequisites for the residency?
You’ll be required to have a laptop with 8GB RAM Laptop and headphones. - Is the Residency open to only Indian Citizens?
No, the residency is open to all residing in India. - Where is the residency going to be held?
The B-side residency will be held in Goa. Exact venue shall be shared after selection. - How many participants will be selected?
8 participants will be selected for the residency by a Jury. - Would I have a place to stay?
Yes, all the participants will be provided with shared accommodation, along with all meals. - What does the schedule of the residency look like?
Sessions will be scheduled through the 10–day residency, and would include lectures, practical sessions, artist presentations, and demonstrations. - Will my travel to the venue be covered?
No, you have to cover costs for travel to and back from Goa. - What level of music production will the residency be catering to?
The modules shall cater to a beginner-intermediate level of music production. - What DAW would be required for the Programme?
Ableton Live 12 would be used throughout the residency.
Imagining Narratives
A Photography Workshop
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Key information
About
Eligibility
Submission Guidelines
- Up to 20 images uploaded in a Google-Drive folder link / WeTransfer folder
- Submission may include a selection of images that are your best shots (not necessarily related) or a photo-series, either of which may highlight your artistic vision and technical proficiency.
- Images should be resized to 1500px on the longer side, with 72dpi density for manageable file sizes.
- Please name the files accordingly in the order that you wish the jury to view them.
- SOI should include your motivations, goals and your vision of how this workshop will contribute to your artistic growth. Additionally, you can outline what you think you could bring into the workshop community.
- A simple self-declaration form signed and attested by the photographer that specifies that the work they submit is owned by them intellectually. In terms of a collaborative body, please specify it clearly, with clear mentioning and acknowledgement of the collaborator.
- Your CV should highlight your relevant education, training, exhibitions, awards, and any other pertinent professional experience.
- Your biography should provide a concise overview of your background and artistic journey.
Selection Process and Timeline
- Last date of submission: July 31, 2023.
- The selected participants will be informed by August 7, 2023.
- The selections will be made by an independent and non-biased jury.
Terms and Conditions
- Project should be feasible in terms of scale and logistics, and should be completed within the deadline set in the proposed timeline.
- All participants will own the absolute rights to their work.
- Participants own the copyright of all their work.
- We prioritize a respectful, transparent and inclusive environment in the workshop. Instances of misconduct are strongly discouraged and will be strictly addressed.
- All work produced in the workshop framework will have to be completed, edited and compiled within the given time frame.
About the
Facilitator
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Subash Sagar
Where the Water Flows
I spent my early years on the Vaigai River in Madurai, where my friends and I played hide and seek around the majestic neem trees on the riverbank. Eventually, my family moved away, severing my connection with the river.
When I returned, the altered state of the river brought a flood of memories. It instantly took me back to the time we played gilli danda, and goli gundu. The changes in the landscape made me reflect on my lost connection. I am now on a journey to reconcile my relationship with this transformed river.
Subash Sagar lives and works in Madurai, India. He focusses on moments that provoke questions about life and its constant occurrence. Through his photographs, Subash aims to fill the void between him and the outside world.
Instagram: subashphoto
Email: [email protected]
Fatima Juned
I was there, but now I’m here.
In a relentless world of perpetual motion, the desire for the softness of home consumes us. The longing of memories we hold within, a place we yearn to return to. As we grow older and distance ourselves from home, these memories become a cherished reservoir of our past. They shape our anticipation for that defining place, a home we eagerly await, where our essence and memories find a lasting embrace. Yet in the midst, we forget, home is within.
Fatima Juned is a documentary photographer, researcher, and writer from Lucknow. Her work explores the themes of gender, human rights, labour, culture, and moments that evoke emotions. As a photographer, she captures the essence of her subjects with care and admiration.
Instagram: fatimajuned
Email: [email protected]
Meera K M
And as we breathed,
The dust and dots collided.
From then on, they knew each other, So they gathered in different spaces,
At different times to form unique dimensions,
Eventually, where some of them held each other to create,
Where everything in the universe evolved violently by growing itself to death.
Meera K M is a practitioner from Kerala. Her inspirations and interest revolve around her immediate surroundings, where all lives are dust in motion.
Instagram: Meera_kavallur
Email: [email protected]
Benthunglo Patton
Cherry Pit
Peeling back the layers of Dimapur’s vibrant youth culture, we uncover a Nagaland that’s more than just picturesque hills and a clichéd notion of what is traditional.
Our shape-shifting city of hotspots, shitty roads, and reasonably priced booze defies logic even for a local like me. My friends and I immerse ourselves in a mix of intimate gatherings that are hardly glamorous but where connections are laid bare, honest, and real.
Benthunglo Patton is a writer and photographer from Nagaland. As a storyteller, she is drawn to the nuances and subtleties of the places she calls home, with a willingness to challenge conventional and stereotypical portrayals of a region she is most familiar with.
Instagram: all_hail_mr_bubz Email: [email protected]
Ayan Farooqui
Scapegoat
“Coming from a marginalised community, I often feel like I am nothing more than a scapegoat.”
Through my photographs, I am posing a fundamental question: Does society truly require a scapegoat to redirect its aggression?
These images in Scapegoat emphasise and highlight the resilience, strength, and determination of goats, prompting the viewers to reflect on the complexities of blame and its far-reaching consequences.
Ayan Farooqui is a photographer from Aurangabad. He produces compelling stories that raise crucial questions about the role of scapegoating in society.
Instagram: ayan farooqui_
Email: [email protected]
Bhumika Saraswati
The Unequal Heat
Dalit women in whom I recognise my kin, who are hardly ever thought of as being at the forefront of the climate crisis, are harvesting your food. The temperatures are soaring above 45 degrees Celsius. The sweltering heat distorts my camera’s field of vision. This is a story of resilience persisting at the cusp of multiple vulnerabilities.
Bhumika Saraswati tells stories of people who have been generationally underrepresented. She loves to write and film and was awarded the UNFPA-Laadli Media Award for gender sensitive reporting. Her latest film on the lives of sex workers and their children was awarded the Human Rights Press Award 2023.
Instagram: bhumikasaraswati
Email: [email protected]
Adil Manzoor
Hawhukh Matsar
Ghar’e wandhai ghar’e saasa
Barr’e nearhai ne zahn (Sheikh-ul-Alam)
Home, I will sacrifice a thousand houses for you, I don’t want to go beyond your threshold.
I dreamt of reading under the shades of the Chinar trees in Naseem Bagh, of love shared behind the bright flowers, moving in unison with the Dal breeze.
Like many, I tried to escape conflict, yet it clung to me. Wherever we go, we carry its weight.
Verandas pyath bihith, hawhukh matsar
wuchan wuchan, pyov chehli chehli Myun makaan
While sitting on the veranda, I watched maddened winds ravaging my house, piece by piece.
Adil Manzoor is a documentary photographer and filmmaker. He is interested in intertwining personal stories with the political issues, bridging the gap between individual experiences and broader societal issues.
Instagram: _thepotbellied Email: [email protected]
ArunkumarMarimuthu
Replica Artist
Everyone likes cinema, and many people are madly in love with heroes. Some people are inspired by movies, do makeup like idols, and perform on local stage shows and TV channel shows. In this field, some people succeed in their careers, and some people fail and struggle. This story belongs to them.
Arunkumar is from Perambalur, Tamil Nadu. He likes to photograph people, the environment, and the culture around his place.
Instagram: arun_kumar_marimuthu
Email: [email protected]
Muskan Chauhan
The Grey
The complex interplay between my thoughts, emotions, and the external world, has led to uncertainty, and anxiety. I sought to unravel these changes in my life through the contested grey, in the black and white.
Muskan Chauhan is a contemporary artist from Himachal Pradesh passionate about photography and curating. She has a keen interest in art and uses image-making as a way of expression.
Instagram: muscan.chauhan
Email: [email protected]
Leena Sharma
Camaraderie
The synergy of hip-hop and skateboarding in Delhi fosters a unique blend of self-expression, where skateboarders and artists unite to turn the city streets into vibrant platforms for creativity and camaraderie.
Leena is a PhD researcher in the Comparative Literature and Translation Studies Department at the Central University of Gujarat. Her work, majorly anthropological, circumnavigates the discourse related to history and orature amongst communities.
Instagram: leina_sharma
Email: [email protected]
Ayush Goyal
Night Haul
Illegal riverbed sand miners work under cover of the night, relying solely on the headlights of their Bolero pickup trucks. While those involved are
aware of the environmental damage, economic necessity drives them to continue this risky work.
Despite trying other jobs, they find more personal satisfaction in sand mining and value the flexibility to return home to their villages in Nepal. The
clandestine nature of their work exposes them to legal and safety risks.
Ayush’s work looks at the environmental fragility of the Himalayas and the long-term effects of rampant unregulated development.
By focussing on the beauty and vulnerability of the region, he encourages a reevaluation of our priorities and the adoption of sustainable practices that can ensure the longevity of these landscapes.
Instagram: mirrorslaps
Email: [email protected]
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