Food Matters Grant

About

The Food Matters Grant supports projects that aim to contribute to the discourse around food and create a knowledge network to promote inquiry into food practices in India and South Asia. Through this grant, we hope to create a space for the exchange of ideas around food habits, traditions, and futures.

Seeking to support innovative projects by individuals or collectives, Serendipity Arts invites proposals with tangible outcomes that examine and explore food practices specifically with regard to their contemporary relevance in India and South Asia. Practitioners, researchers, professionals, and enthusiasts from across disciplines are welcome to apply with a new or ongoing project.

Projects based on/around but not limited to the following are welcome:

Food Heritage
Oral histories around food
Documentation and archiving
Cultural memory
Food politics
Food in literature
Sustainable practices in food
Storytelling around food
Food and art
Food and technology
Food and religion
Food and design

Duration of the grant

12 months

Intake

Grant amount

up to INR 100,000/-

(Amount to be determined basis the budget submitted)

Application deadline

May 22, 2023

Eligibility

Applicants can be individuals or collectives.
Applicant must be an Indian National in possession of an Indian bank account.
Applicant with academic or artistic experience in the field of food practice is preferred but not compulsory.

Application requirements

Completed application form with basic contact information.
Project proposal of not more than 500 words.
Detailed budget break up and timeline of the project.
A brief bio and professional CV – not more than 200 words.
Portfolio

The proposal can include details about why this project is significant, what you think it will add to the food discourse in India and South Asia. It should also include a clear description of the outcome and a short outline of the resources i.e. libraries, institutions, or experts the applicant wishes to engage with in the course of their project. The timeline should give an outline of the course this project is likely to take. The budget will be required to mark out how the grant will be used over the stated timeline of the project.

Applicants can request for up to a grant value of INR 100,000 to cover the following:

Travel ( bus, train, and economy class)
Accommodation.
Living expenses (i.e. local transportation, per diem payments etc.).
Funds for buying materials, books and making copies of relevant literature, and subscriptions.
Tuition fees towards an institution.
Cost of documenting outcome.
Resources that the applicant deems necessary for the project.

Selection Procedure and timelines

The deadline for submitting application is 11:59 pm on May 22.
The grantees will be selected by a Jury panel. If necessary, interviews with shortlisted candidates will be conducted in the month of June.
The winners of the grant will be announced in the month of June, 2023.

Deliverables

The grantees must submit a quarterly progress report via email.
Upon completing the project the grantees must submit a final project report.
The grantees must submit audited Fund Utilisation Certificates (format to be shared by Serendipity Arts) and supporting bills for the grant amount, to Serendipity Arts.
Serendipity Arts shall connect the grantee to field experts, mentors, practitioners, and other professionals to aid in expanding the scope of the chosen project based on requirement.

Terms and Conditions

The grants must be utilized within one year of the date of award.
**Copies of materials collected by the selected candidates (books, copies, instruments etc.) could be contributed to SAF’s library for wider use by future scholars.
Every time the outcome is presented it needs to include a statement crediting the support received from Serendipity Arts.
Additional expenses, over and above the grant amount would be borne by the awardee.
In the case of a showcase only one individual from the collective will be invited to the festival.

JURY

Chef Prateek Sadhu grew up around family farms, leading him to the kitchen by his tenth birthday. His mother and aunt taught him cooking basics, and a passion for food soon derailed his initial plans to become a commercial pilot. Instead, Prateek attended college for hotel management and began working in kitchens at Taj Hotels.

He then went on to the Culinary Institute of America, graduating with double gold medals. He worked in some of the world’s finest kitchens including Alinea, The French Laundry, Le Bernardin, and Michelin-starred restaurants across Europe. During his time at Noma, Prateek developed a food philosophy of sourcing within the region, foraging for ingredients, and harnessing the soil. In 2016, Sadhu opened restaurant Masque in Mumbai, whose decidedly nouvelle cuisine is inspired by his own formative years in Jammu & Kashmir. Masque’s commitment to sustainability saw it ranked on Food Tank’s 2016 list of restaurant innovators in the world. That year, Prateek was awarded most innovative chef of the year by the Western Culinary Association of India. In 2017, he was named Chef of the Year at the CNT Top Restaurant Awards, where in 2018, Masque was ranked #5 among the country’s best restaurants. In 2019, Masque was ranked on Food & Wine and Travel + Leisure’s collaborative, inaugural list of the World’s 30 Best Restaurants.

Elizabeth is a chef turned food researcher, writer and an advocate for sustainable food systems.

She is the co-founder of Edible Issues, a collective that is fostering thought and conversation on the Indian Food System, and the founder of Saving Grains, an upcycling food initiative inspired by the historically circular relationship between brewers and bakers.

Goya Journal is a food and culture publication that focuses on culinary storytelling from South Asia. Goya has collaborated with and featured more than 200+ writers and creators from around the world. The Journal was recently featured in the Guardian as 30 Best Things in Food.

Anisha Rachel Oommen, co-founder

Anisha is a writer and entrepreneur, with experience digital media & journalism. As co-founder, she lends her expertise in media production, events, communication and storytelling, through her role heading Goya’s business partnerships.

Aysha Tanya, co-founder

Aysha Tanya is a writer and photographer whose work has appeared in publications like Vogue, Condé Nast, and Food52. She is the author of The Family Table, a collection of heirloom recipes from the Mappila community. As co-founder, she lends her expertise in reimagining the boundaries of food media, through her role as Creative Director at Goya.

GRANTEE

Fileona Endoxa Dkhar is a visual artist from Shillong, Meghalaya. Her artistic research weaves together notions of storytelling, identity and ecology. She makes videos, installations and sometimes performs. She is a graduate of the Piet Zwart Institute in Rotterdam.

Dayananda Nagaraju is an artist and a farmer. His art practice revolves around the conversation on food insecurity, farmers plight, and loss of native practices. His works have been showcased in renowned galleries and his last solo art curation ‘Kanaja’ was well appreciated in Bangalore.

Niranjan NB is an urban planner and has been engaged with think tanks, research and advisory organisations. His research focus is on adapting to climate change through nature based solutions and combine different forms of storytelling to convey the messages of sustainable living.

FAQS

Q1. What is food practice?

A1. Food practice includes anything from the way food is cooked in a particular region to environmental factors that contribute to the cultivation and cooking of food, the relationship of food with cultural practices, the role that food has played in the evolution of humankind as well as the evolution of food over centuries, why and how people eat, with whom they eat, as well as the ways people obtain, store, use, and discard food. Individual, social, cultural, religious, economic, environmental, and political factors all influence food practices.

Q2. Can the outcome be an essay?

A2. Yes, the outcome of the project can be an essay.

Q3. Can this be an ongoing project?

A3. Yes, this can be an ongoing project.

Q4. Is this an additional grant?

A4. Yes, this can be an additional grant. The project could have received funding previously.

Q5. I work with a friend as a collective. Can I still apply?

A5. Yes, a collective can apply for the grant, provided that the collective has an Indian bank account. Alternatively, a member of the collective holding an Indian bank account can sign the contract on behalf of the collective.

Q6. What is a portfolio?

A6. A portfolio is a thoughtfully designed visual selection and presentation of your projects, skills, work process, and ideas.

Q7. I don’t have a portfolio. What else can I send as part of my application?

A7. You can send samples of the work done in the field including but not limited to essays, photographs, videos. Your Instagram handle could also be your portfolio.

Q8. What do you mean by a tangible outcome?

A8. A tangible outcome can be anything from an essay to a dinner to an exhibition. We encourage you to think of the process as a part of the outcome which can be documented. We welcome essays, blogs, websites, curated dinners, performances, experiences that you would like to create on ground for an audience, or a work-in-progress project which may continue to grow.

Q9. I cannot access the application form. How can I apply?

A9. If you are unable to access the application form, please write to [email protected]. Please make sure to add the name of the grant clearly as the subject line.

Serendipity Grants

Foundation

Festival

About