Paradox of Distance and Writing on Art in the Contemporary Period

Published on September 9, 2026

The layers of reds are stacked upon each other, wrestling until they seem to discover a place to repose. Is it the way they accumulate that lends the impression of a drain or does the familiarity of movement creates an impression of one?

Foreign Returned

Published on September 8, 2026

The Indian music press, it seems, does not know whose taste it has borrowed. Taste arrives through osmosis and then solidifies into something like instinct.

Notes on a Gesture

Published on September 8, 2026

In my practice-based research into feminist resistances captured through moving image technologies, I work with lost archival footage of the choreographer/dancer Chandralekha and her radical reframing of the gesture of Namaskar within the repertoires of classical Indian dance.

When Criticism Becomes a Creative Practice

Published on July 3, 2026

What happens when criticism evolves from a tool of judgment into a creative practice that extends the life of a work?

On Refusing to Separate Art from Institutions

Published on July 3, 2026

Through two case studies of structural injustice in the Indian art world, this essay challenges art criticism that ignores institutional contexts and calls for a writing practice that accounts for labor conditions and systemic power.